It is extremely sharp through the entire zoom range with no issues of distortion or chromatic abberation. The image quality of this lens is impeccable. If you’re looking for the ultimate big landscape, little person lens, this should be a go to! And you can save a lot of money and weight compared to the f/2.8 alternative. I’ve owned several wide angle zooms from various manufacturers, but the Sony 16-35mm f/4 really is a top performer at a reasonable price tag. The value for money of this lens is simply awesome.
#Sony full frame zoom iso
Most of the time I didn’t mind it, though.Īs you can see in the above image, I was even able to capture the stars due to the awesome high ISO performance of Sony’s A7 series of cameras.Ĭhromatic abberation and distortion are manageable but not as well controlled as on the Sony 16-35mm f/2.8 G-Master… but this is to be expected for the huge cost savings you make. Other than in very low light, this lens focused fast and accurately – this was one of the few times the f/4 aperture was a limiting factor. Sharpness is excellent and despite not having as fast an aperture as the excellent but expensive Sony 16-35mm f/2.8 GM, it is equipped with stabilization (Optical Steadyshot), so you can drop the shutter speed way down as long as your subject isn’t moving. Image quality on this lens is spectacular. Sony A7III + Sony 16-35mm f/4 | 30 sec f/ When shooting at f/1.8, the bokeh is beautiful! I love shooting this lens in the evening when you can get lights in the background that turn into out of focus ‘orbs’, that add interest and make the sharp subject pop. It produces phenomenal edge-to-edge sharpness even when shot wide open. The Sony 85mm f/1.8 really shines when it comes to image quality. Aside from those two functions, the lens is clean and simple!
The focus hold button is a handy feature that can be programmed to eye autofocus (a really useful feature unique to Sony cameras). It includes one simple but smooth focus ring and a focus hold button. Upon handling this lens you appreciate how compact and lightweight it is, especially for a lens with a maximum f/1.8 aperture. Previously only the Sony 85mm f/1.4 or the Zeiss Batis 85mm f/1.8 were available (both more expensive and heavier lenses, especially the Sony 85mm f/1.4). This lens was a welcome addition to the Sony FE lens lineup when it was released in early 2017. It is sharp, fast, lightweight, and affordable! What else could you ask for? The Sony 85mm f/1.8 really hit a sweet spot in the lineup. At under $800 it might not be as affordable as the Sony 28mm f/2 but it makes up for it with its stellar image quality and minimalist design. This means that whatever camera you mount the Sony 35mm f/2.8 on, it’ll feel great.Įven on an APS-C sensor camera like the a6000 series, it makes a great pair – the 35mm focal length is more like 52.5mm, but this is still a versatile focal length, more suited to portraits and general shooting. In fact, this is the only true Sony pancake lens for their Alpha range of cameras, in that its height is less than its width. I often wish it had a lower aperture (f/2) for shooting indoors but I understand this would cause sacrifices in size/weight. My only wish was that it was a bit faster than f/2.8 (especially for a prime lens). I knew something was different when I felt the concave front element of this lens. It produces very sharp images with it’s unique optical design. When it comes to image quality, this lens is spectacular. Autofocus is fast, silent, and accurate, as you can expect from a quality Carl Zeiss lens.
The all metal construction on the Sony 35mm f/2.8 sturdy and has held up well to everyday use. The nifty little lens hood has a unique design that protrudes over the glass, allowing you to throw the camera in any bag without worrying about scratches on the front element. In terms of durability and handling, this lens is excellent. It works great for grabbing a quick photo of the kids doing something fun or taking on adventures in the mountains. I keep the Sony 35mm f/2.8 mounted on my camera hanging on a hook in the living room all the time.
It can capture anything from portraits to landscapes, making this lens ideal for capturing everyday life. It adds so little weight and it almost feels like there isn’t a lens attached!įor shooting everyday subjects, 35mm is one of my favorite focal lengths. It is one of the best balanced lenses on the A7 series of cameras. My first impression was amazement at how lightweight and compact the Sony 35mm f/2.8 is. At just over 4 ounces and less than 1.5 inches long, it packs a punch in a tiny package!
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